Nefariym, Morbid Delusions (Inverse Records 2021)

The debut full-length album from Nefariym tears open the fabric of musical reality: Morbid Delusions.

Coming together only two years ago, Melbourne, Australia’s Nefariym was created by veteran metallers Mark Kelson and Richie Poate. The music can generally be thought of as Death Metal with the duo’s own novel twists with plenty of Doom and Sludge in the mix as well. There have been a couple singles released by the band but this album is the first deep journey fans can listen to and assess.

The album contains an intro piece, nine new songs, and a cover of a metal classic. The first full track is “Succubus” and the band comes out blasting with a monstrous adrenaline-fueled assault from every instrument. Black/Death Metal hybrid vocals give the song the perfect tinge. “A Morbid Delusion” follows and it is another ripper – a high speed conundrum for your brain that’ll need a minute to process. The production lays together the rhythm with the vocals with a harmony guitar line that fills the entire available space, while an early lead break sounds like a madman railing against the injustices of existence.

Toward the end of “A Morbid Delusion” the tempo slows a bit and provides a perfect segue to “Tearing Flesh From The Bone” which has an excellent Sludge/Doom essence. This is my favorite track for its sheer heaviness and the unforgettable refrain. Throughout the album the alternating between high-tempo songs and slower doomers is enthralling. I found the entire set captivating, including the cover of Celtic Frost’s “Circle Of The Tyrants,” which both provides an anchor for the album and delivers an homage. Highly recommended.

Morbid Delusions hits the streets on Friday September 24th through Inverse Records.

Links.

Bandcamp, https://nefariym.bandcamp.com/

Facebook, https://www.facebook.com/nefariym

Nefariym website, https://nefariym.com/

Inverse Records, https://www.inverse.fi/shop/catalog/product_info.php?products_id=939

Nefariym, Morbid Delusions (Inverse Records 2021)

Day 4: Blue Ridge Rock Festival, Danville, Virginia

Here is the final daily photo teaser. More images to follow, short features for every band, and look for a feature article about the festival in Ryze-Up magazine coming soon.

All photos by Wayne Edwards.

Mastodon
Jelly Roll
Fame On Fire
A War Within
Cursor
We Came As Romans
Detroit Voodoo
Ill Nino
Redefind
Splintered Reality
Ignite The Fire

© Wayne Edwards.

Day 4: Blue Ridge Rock Festival, Danville, Virginia

Day 3: Blue Ridge Rock Festival, Danville, Virginia

Avatar
Body Count
Megadeth
10 Years
Hatebreed
Pigweed
Suicidal Tendencies
The Impurity
Trivium
Corrosion of Conformity

All photos by Wayne Edwards.

© Wayne Edwards.

Day 3: Blue Ridge Rock Festival, Danville, Virginia

Day 1: Blue Ridge Rock Festival 2021, Danville, Virginia

I am going to post daily photos to tide you over until the full article is ready. Here is the first batch.

All photos by Wayne Edwards.

Black Label Society
Sabaton
Testament
MX The American
Testament
Sabaton
Zakk

© Wayne Edwards.

Day 1: Blue Ridge Rock Festival 2021, Danville, Virginia

Alien Weaponry, Tangaroa (Napalm Records 2021)

New Zealand metal band Alien Weaponry pull out all the stops on their second long-player, Tangaroa.

From the very beginning it was clear there was something different and very special about the music of Alien Weaponry. It is hard-driving thrash/metal infused with traditional Māori instrumentations and language. The pulsing, charging constructions stand alone in the heavy music universe and comparisons are destined to fail. Over the past decade the band has released a string of EPs and the influential full-length album, (2018). Musicians on Tangaroa are Henry Te Reiwhati de Jong (drums, backing vocals), Lewis Raharuhi de Jong (guitars, lead vocals), and Tūranga Morgan-Edmonds (bass) who recently replaced the departing long-time bassist Ethan Trembath.

There are twelve tracks on the album, opening with “Titokowaru,” a song that highlights the syncopation and powerhouse musical presentations that will characterize the rest of the set. “Hatupatu” expands on the vocal capabilities of band, adding depth with carefully structured layering. “Ahi Kā” takes off in a different, mysterious direction, employing audio captures to the creative vocals and setting them over a lyrical bed and around rousing rhythms.

The title track, “Tangaroa,” is a centerpiece of the album with its socially relevant message and its elegant combination of linear aspects and challenging musical elements prominent in other songs. Really, every song has something about it that memorable and noteworthy from the magnificent opening riff on “Buried Underground” to the ethereal wind instrument on “Īhenga.” The variety and inventiveness in the compositions is enthralling and offers listeners what seems like an endless array of aural experience.

Engaging, original, and 100% authentic metal, Tangaroa is going to be on Year’s Best lists far and wide. Recommended.

Tangaroa is out on Friday September 17th through Napalm Records in CD, digital, and vinyl versions.

Links.

Bandcamp, https://alienweaponry.bandcamp.com/album/tangaroa

Facebook, https://www.facebook.com/AlienWeaponry

Alien Weaponry website, http://alienweaponry.com/index.html

Napalm Records, https://label.napalmrecords.com/alien-weaponry

Alien Weaponry, Tangaroa (Napalm Records 2021)

Criminal, Sacrificio (Metal Blade Records 2021)

The ninth full-length studio album from the resilient Chilean thrash band Criminal shakes the pillars of the heavens.

For thirty years now Criminal has been making a salty combination of death/thrash/groove metal. The band’s first long-player, Victimized, came out in 1994, and in the decades since then the consistently excellent work of Criminal has drawn increasing attention. As with most long-lived bands, there have been a number of line-up changes through the years. On the new album, founding vocalist and guitarist Anton Reisenegger is joined by Danilo Estrella (drums), Danny Biggin (bass), and Sergio Klein (guitar).

There are twelve searing tracks on Sacrificio, starting with the ripping “Live On Your Knees.” It is a rough-edge thrash song with a timely message, a catchy bridge, and a soaring lead break. On its heels is “Caged” fostering a jagged stabbing attack, aggressively rejecting any limits. And then “The Whale” has a more expansive attitude, edging up the theatrics, shifts, and syncopation. And Criminal is only getting started at this point, just three songs in.

The percussion has a prominent presence on every track, with blasts beats and clever, technically stunning execution. Speed in the rhythm section is a consistent motif, as are tempo shifts sharp enough to make the ground move beneath your feet. Reisenegger’s rough and aggressive voice never falters, delivering a powerful performance throughout.

Stand-out tracks for me include “Theocracy” with its hardcore hammering and “Sistema Criminal” for its hair-raising lead work. Add “Hunter And The Prey” to the list for its sheer, raw urgency. This is an album that will get spin after spin from me – every time I listen to it I like it even more. Recommended.

Sacrificio is out from Metal Blade Records on Friday, September 17th through all the usual outlets.

Links.

Bandcamp, https://criminalband.bandcamp.com/album/sacrificio

Facebook, https://www.facebook.com/Criminal.Band/

Metal Blade Records, https://metalblade.com/criminal/

Criminal, Sacrificio (Metal Blade Records 2021)

Lvcifyer, The Broken Seal (Dark Descent Records 2021)

Let the darkness surround you with the new album from Lvcifyre, The Broken Seal.

You might be able to guess from the name of the band that their musical leaning is in the Black and Death Metal direction. Lvcifyer released their first EP in 2009 and two long-players after that, The Calling Depths (2011) and Svn Eater (2014). Another EP, Sacrament, staved off fan cravings in 2019 until The Broken Seal entered the cosmos. Of course the music is heavy and fast and ravaging, and the themes of chaos, darkness, and woe are ever-present. Naturally.

The opening bars of the first track are a dark ramp of emergent noise and growls and then a punishing attack on your senses. This is what I expected. Speed and ferocity in the opening salvo. But in the second song, “Tribes of Khem,” the perspective deepens and branches out in measured and fascinating ways. The tempo moderates and the vocals exude dark power. The riffs are not desensitizing and the blast beats become judicious.

“Black Beneath the Sun” is even weightier in its musical expression, displaying eruptions along with a discernable linearity. Indeed, the music becomes positively theatrical at points. These compositional choices give the album balance and make the tracks individually more memorable and the set overall more powerful.

Other stand-out songs are “The First Archon” with its pushing, enlivening insistence and the closer, “Black Mass,” with its gorgeous Blackened Doom palette. This album is my first serious listen to Lvcifyre but it will not be my last – it has made a big impression on me. Recommended.

The Broken Seal is out today, Friday, September 10th from Dark Descent Records in the US and Norma Evangelium Diaboli in Europe.

Links.

Bandcamp, https://lvcifyre.bandcamp.com/

Facebook, https://www.facebook.com/Lvcifyre

Dark Descent Records, http://www.darkdescentrecords.com/store/

Lvcifyer, The Broken Seal (Dark Descent Records 2021)

Carcass, Torn Arteries (Nuclear Blast 2021)

The new Carcass album is a raucous affair, filled with sinister chuckles and Torn Arteries.

Carcass is such a well-known band I don’t think much background is needed here. Their history is fascinating, being on the forefront of Death- and Goregrind, and later also being influential in the early days of Melodic Death Metal. The initial run was in the mid-1980s to mid-1990s, then they reformed in 2007. Since that renaissance, they have released EPs, splits, and the full-length Surgical Steel in 2013. The new album is the band’s seventh long-player, if I counted right, and it is a rager.

The title track is the opener and it spins directly at you with a vigorous multifaceted attack. The vocals are gruff and full, the riffs and percussion are fireworks set on solid steel poles, and the lead work is aching and familiar. Without a breath, “Dance of Ixtab” whips in with active parallel rhythm that fosters direct and immediate catchiness. And then “Eleanor Rigor Mortis.” Come on. Is there any way you are not going to love a Carcass song with a title like this? No, no way. It is an excellent entry that features a vocal-lead guitar pairing. And we are still on side one.

“Under The Scalpel Blade” has a slower tempo up front, and “The Devil Rides Out” does Dennis Wheatley (and also Hammer Studios) proud. “Flesh Ripping Sonic Torment Limited” is the longest track, landing at ten minutes, and it is a theatrical presentation with a compellingly dramatic arc that manages sorrow and anguish, terror and regret in the fullness of its articulation. The final strokes occur on “The Scythe’s Remorseless Swing,” the fittingest of all possible closers.

It has been eight years since the last big album from Carcass so I expected Torn Arteries to be something special. It turns out I was right – it is instantly one of my favorites in their distinguished and storied catalogue. Highly recommended.

Torn Arteries is out through Nuclear Blast Records on Friday, September 17th. Join the fray.

Links.

Bandcamp, https://carcass.bandcamp.com/album/torn-arteries

Facebook, https://www.facebook.com/OfficialCarcass

Nuclear Blast, https://shop.nuclearblast.com/en/products/sound/vinyl/2lp/carcass-torn-arteries-red-.html

Carcass, Torn Arteries (Nuclear Blast 2021)

Plum Green, Somnambulistic (Nefarious Industries 2021)

Back with a new collection of beautifully dark songs, Plum Green releases Somnambulistic.

Plum Green is from Melbourne, Australia. She has released a string of captivating albums in the last decade that that convey solemnity, almost as a berceuse for the grave. This is especially true on the new album. The music is dark and quiet, and it leaves an impression.

The opening song begins with beautiful, soothing, lyrical passages, but in a way that could be the soundtrack to euthanasia. That first track, “Raspberry Vine,” is very much what I mean when I talk about Acoustic Doom. In the press materials, the music is described as “atmospheric dream folk,” and I like that description, too. It is the emotion that is heavy and that does not require loudness.

There are strong gothic elements here as well. In the second track, “Eyes Shut,” the vocalizations draw a strong eidolon of Johnette Napolitano without really sounding much like her. It is bewitching, this music. It takes you away with its gentleness and at the same time has an emotionally penetrating effect. Like the singing of a wraith that means you no harm – or appears to mean you no harm – you find yourself trusting the music to have a meaningful effect on you.

The strings on “Grave Snuggler” have a hypnotizing effect. And Green’s voice, of course. Every track is enchanting and mysterious. The vocal duet on “Belleza Nocturna” was a surprise and it fit in perfectly with the rest of the set. Eerie, engaging, and unforgettable, Plum Green is an artist you should know about. Start with this new album and work your way backward through the catalogue. What you will find might surprise you. Recommended.

Somnambulistic is available on September 17th through Nefarious Industries. Explore the links below.

Band photo by Zach Salar.

Links.

Bandcamp, https://plumgreen.bandcamp.com/

Plum Green website, http://www.plumgreenmusic.com/

Facebook, https://www.facebook.com/plumgreenmusic

Nefarious Industries, https://www.nefariousindustries.com/collections/new-releases/products/somnambulistic

Plum Green, Somnambulistic (Nefarious Industries 2021)