The sophomore album from Eye Of Purgatory achieves new levels of breadth and captivation.
The band’s first album, The Rotting Enigma, came out in 2018. Helmed by the indefatigable Rogga Johansson, that inaugural issue was a fiery burst of Death Metal remembered especially for the ten minute opus “The Hause on the Edge of Hell.” The new album is more expansive in its compositional idiom while staying true to the old school metal framework. Johansson is joined in the studio by Taylor Nordberg (drums, guitar, keys) and Jeramie Kling (bass).
There are eight tracks on The Lighthouse after the intro instrumental bit, most of them punching in at the four minute interval – they could all be singles. It is mid- and up-tempo work, notable and marked by the generous use of keyboards which, let’s face it, are not a Death Metal standard. On this album the keys fit right in and would be sorely missed if absent.
The roughened voice is a dominant force in every piece, sharing space and prominence on a revolving basis with the other instruments. Clever twiddles abound, always surround and bolstered by solid guitar riffs.
The narrative elements on the new album are more dark fantasy in origin compared to the earlier release which focused narrowly on horror ideas. I think the myth and mysteries fits the music a bit better and that makes me like this set even more. From the opening “The Lighthouse” to the final notes of the closer “Rebirth,” there is a constantly maneuvering maelstrom of metal that blends the wizened old school sensibility with a Melodic Death Metal tincture to produce a literary-lace musical theater. Rogga Johansson strikes again. Recommended.
The Lighthouse is out now from Transcending Obscurity. Bandcamp is the place to get it in all its forms.
Transcending Obscurity Records, https://transcendingobscurity.aisamerch.com/band/eye-of-purgatory