The first album from California metal trio Socioclast is a ferocious declaration of intent to rattle the cages of the status quo.
The musicians that form Socioclast walk on from bands like Mortuous, Altars, and In Disgust, and they are Colin Tarvin (bass, vocals), Matt Gomes (guitar), Cris Rodriguez (drums). With a home base of San Jose and a musical ethic of grindcore, the band has an energetic pathology. It should be fairly obvious from the name they have chosen that they have a lot to say about society, mostly not complimentary. The music, then, is tuned to the outrage of their observations and constructed for maximal impact.
There are sixteen songs on the new self-titled album, all but one less than two minutes long and almost half clocking less than sixty seconds. Blast beats abound. As does the irrepressible voice of Tarvin which I had already come to admire from his previous work. Not a lot of slow songs here, but there is the occasional doom moment, as in the way “Terminal Regress” begins, for example. Mainly you can expect a blistering pace and bursts of chaos.
The whole album is great, and I do have a couple of favorites. “Eden’s Tongue,” in particular – I love the Black Metal sinews and the arching back in the middle. The co-curricular vocals in “Convention Of Ruin” gave me a similar rush. “Surrogate Will” wins the prize for making me dizziest. “Concrete and Steel” is the long track at the end, running 2:48. It has a melancholy opening refrain that stuck with me even after the churning heat of the rest of the song. It is a good capstone to the set. I am onboard. Recommended.
Socioclast is out tomorrow in many and varied forms from Carbonized Records.
Band photo by Anna Gomes.
Carbonized Records, https://carbonized-records.myshopify.com/