Freshly minted grindcore trio Gravesend open a massive crack in the earth with their debut full-length album Methods Of Human Disposal.
Fashionably semi-anonymous, the musicians in Gravesend are telling stories of mayhem and decline set to the soundtrack of chaos. Stalking the streets of New York City with malfeasance on their minds, the music they create is super charged with the darkest episodes and artifacts of society most drear. The attitude calls punk to the front of my brain and the application is grinding at the speed of metal with the elemental tools of the trade.
“Fear City” is the first song, and it opens like a soundtrack to Dark Shadows or some such, with quiet, creepy keys. Slowly a violent argument starts the narrative off and it is the second piece where the music really begins to drop, “STH-10,” with the breath of doom. Building, angrier and angrier, into “Methods of Human Disposal” for the first taste of the savage vocals. The title track is dripping with callous disregard for propriety, establishing a purpose all its own.
The music is up-tempo but it is not breakneck for the most part, letting the drums push the urgency while the other instruments slam down the heavy. Some songs, like “Subterranean Solitude,” do set a blistering pace and combine it with a downshifted walking riff in the middle. And then there is “Eye For An Eye,” which is basically a mood piece that might be about the mass torture of seagulls. Entirely unpredictable.
The back-to-back pummeling of “The Grave’s End” and “Scum Breeds Scum” (my favorite track, the latter) near the end tees up the closer perfectly: “Concrete Feet” is a hi-test thrumming with twenty seconds of silence at the end to allow you to gather your thoughts. This album shook me up and Gravesend is on my radar from now on. Recommended.
The album is out on Friday February 19th from 20 Buck Spin Records. Hit the links below for cassettes, LPs, CDs, and/or the digital.
20 Buck Spin, https://www.20buckspin.com/