French heavy stoner trio Appalooza tell stories of distress and decline in their latest long-player.
The band formed only a couple years ago in Brest, France, issuing their first album (self-titled) in 2018. That album has a grungy pulse to it, deterministically joining the informal revival of that bygone time. With many desert-scented colors whirled into the song writing, the album is very listenable.
The new music has a crisper presence. It is not as murky in the mix and has generally sharper edges. There is still strong, sometimes overpowering, grunge reflection throughout, and the desert feel runs deeper this time. According to the Bandcamp page, the band is Sylvain (vocals and guitar), Vincent (drum), and Tony (bass), with additional mystery contributions.
The first song on the album is “Storm,” and it has a muted opening after an initial distant ethereal vocal. I am repeating myself in my head, so let me lay it down here: this is a grunge album. The ghost of Layne Staley can be heard clearly in “Reincarnation,” perhaps the most direct Alice In Chains homage, although there are many. Nearly every track, in fact. The band does tell you this in the descriptive material on their social media pages, mentioning AIC specifically as an enduring influence. They mean it.
Looking back from the end of the set, there is more here than a retreading of popular 1990s genre music. Traditional music influences from the Mediterranean (and Middle East) add depth to the pressing guitars, and the song structures, especially on the second half of the album, stretch out to test and expand the borders of the band’s compositional universe. Living in their own space and telling their own stories, Appalooza brings a new perspective forward in the cloak of the venerable past. Recommended.
The Holy of Holies is out now. CDs, vinyl, and downloads can all be snapped up at Bandcamp.
Ripple Music, https://www.ripple-music.com/