Cult of Lilith, Mara review (Metal Blade Records 2020)

Cult of Lilith release their first full-length album, Mara, in a stunning display of far reaching creativity and Prog Metal exploration.

Bands from Reykjavík, Iceland, might have faced isolation obstacles in the past, but in the modern world the distance from and to everywhere else is easily overcome and their music can be accessed and heard by everyone. Cult of Lilith could tell you that. Formed in 2015, they released their first EP, Arkanum, the following year. After adding a new singer from abroad (Spain), the creative forces solidified and the creation of Mara began. The band is Mario Infantes (vocals), Daníel Þór Hannesson (guitar), Kristján Jóhann Júlíusson (guitar), Samúel Örn Böðvarsson (bass), and Kjartan Harðarson (drums).

The music is described as “Necromechanical baroque.” It is a fusion of Death Metal in the tempos and rhythm with Prog Metal in the guitars interlaced with a wide variety of other musical influences ranging from classical to jazz and beyond. The lead guitar work has the speed and technical precision that rivals virtuoso metal bands like Exmortus. That is the Prog side coming out, the extraordinarily high level of musicianship required of the complex compositions. The other elements are expertly laced throughout into a seamless whole.

The album opens with 20 seconds of solo harpsichord before punching out blast beats under a monster guitar riff supporting rapidly shifting vocals, from death-coarse to melodic, all in the first minute. That is “Cosmic Maelstrom.” The lead guitar in the opener is lyrical and swirling, and the song ends in a mad rush. The next song is “Purple Tide,” and it does make you feel like you are at sea. It has a more serious and sinister tone than the previous song, including an almost maniacal screaming and whispering from Infantes. What you start to realize is that, while the compositions are wildly diverse and approach technical perfection, the vocals lead and direct the emotion of the songs. The music remains mostly fast and variegated throughout. Some songs have a slower tempo, like “Atlas,” but that does not stop them from being surprising and filled with creative changes and dodges. And then there are songs like “Profeta Paloma,” which have significant passages that are soft, acoustic moments of quiet and beauty surrounded by chaos. There is no chance to get comfortable listening to this album because there is too much going on. Cult of Lilith truly is a unique experience. Recommended.

While you are waiting for Friday to come, you could go to Spotify and listen to the Arkanum EP. It is exceptional, and a good launching point to get ready for the new (even with the different vocalist, Jón Haukur Pétursson). Plus, two singles are available now in advance of the full set dropping in a couple days on September 4. Metal Blade is offering CDs, vinyl, and downloads, and a t-shirt as well.


Cult of Lilith, Mara review (Metal Blade Records 2020)