The debut album from Bedsore, Hypnagogic Hallucinations, will warp your ideas about reality and Death Metal predispositions.
The start with, the band explains its name on Facebook by giving a definition of the word and indicating that choosing it follows in the tradition of bands like Autopsy and Carcass. More interestingly, the explanation goes on … “At the same time, ‘Bedsore’, read as ‘suffering of the bed’ also has a more veiled meaning. In this sense, the crib is the gate that ferry the human being into a universe dominated by its unconscious fears, dream-like visions, aberrant figures and grotesque manifestations, which are capable to leading the individual to total destruction, rotting the flesh and eroding the mind.” That last part gives you the best idea of where the band is coming from.
And to make sure I knew what “hypnagogic” meant, I looked it up – relating to the state immediately before falling asleep. We all know what that space is like, don’t we; that crazy half asleep / half wake world and the mad images that live there. If you combine the explanation of the name of the band with the meaning of the name of the album, you will be in the right frame of mind to experience the first full-length release from the Rome-based Death Metal band Bedsore.
The musicians are Jacopo Gianmaria Pepe (vocals, guitars, synthesizers), Stefano Allegretti (vocals, guitars, organ, other keyboards), Giulio Rimoli (bass), and Davide Itri (drums). They published a demo only two years ago, so they are just getting going as a band. The new release sounds like the work of seasoned veterans with its solid musical structure and it also has the creativity and spark of fresh minds at work on new ideas.
There are seven songs. Three fairly short pieces start the set, followed by four longer compositions. The first thing you hear is an eerie keyboard spell that rises for a second into a jazzy layer before the guitars begin push through and the power gets cranked up. The opener, “The Gate,” is presented in two parts, and it is a reconnoitering of the landscape. The first long song takes its title from H. P. Lovecraft, “At The Mountains of Madness.” Apropos. This track can be seen as an embodiment of the entire set in that it has all the elements that are so important to the whole: sorrowful, mournful keyboard passages, avalanche guitar riffs, vocals that convey an entombed mental torture, and lead guitar work that lays bare the toll of the life and time. “Cauliflower Growth” is next and has a more urgent and aggressive overall tone to it (and a guest appearance by Giorgio Trombino). “Disembowelment of the Souls” begins with an epic scale and ultimately transforms into a dirge in the final moments while the closer, “Brains On The Tarmac” is a lilting hallucination at the front and ultimately ends symphonically. If you listen to the entire program in order (turn the shuffle OFF), the effect is mesmerizing. This album is definitely one of the most memorable of the year so far. Highly recommended.
Hypnagogic Hallucinations drops in July 24. You can get it in many different forms from 20 Buck Spin and through Bandcamp.
Band photo by Void Revelations.